SKU: 47099235893

James Boldin: Music for Horn - COMPACT DISCS

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James Boldin: Music for Horn - COMPACT DISCSTitle: Music for Horn Artist: James Boldin Label: MSR Classics Product Type: COMPACT DISCS UPC: 681585139325 Genre: Classical Release Date: 2013 10 08 Number of Discs: 1 Though relatively little known in the United States, except among brass players, Dutch born composer, conductor and professor Jan Koetsier is well regarded throughout Europe, and especially in Munich, where he served as professor of conducting at the Hochschule fur Musik in Germany,

Title: Music for Horn
Artist: James Boldin
Label: MSR Classics
Product Type: COMPACT DISCS
UPC: 681585139325
Genre: Classical
Release Date: 2013-10-08
Number of Discs: 1

Though relatively little known in the United States, except among brass players, Dutch-born composer, conductor and professor Jan Koetsier is well- regarded throughout Europe, and especially in Munich, where he served as professor of conducting at the Hochschule fur Musik in Germany, for many years. As a composer, he devoted much of his efforts to brass and wind instruments, and seemed especially interested in developing the repertoire for unusual or under-utilized combinations of instruments. His music is often virtuosic, as in his Scherzo Brillante and Variations, but also lyrical, as in his Romanza and the second movement of his Sonata for Horn and Harp. In all cases, whether serious or humorous (sometimes both within the same work), Koetsier's compositions are all well-crafted, enjoyable to perform and engaging to hear. I have chosen to record this unjustly neglected music to encourage other performers to program it, thereby bringing it to a wider audience. Jan Koetsier was born in 1911 in Amsterdam, the son of the singer Jeanne Koetsier and the teacher Jan Koetsier-Muller. From an early age, he received musical encouragement and support through piano instruction. Koetsier decided to study music early on, entering college straight after leaving school. He moved to Berlin in 1913 with his family, and aged 16, was the youngest student of his day to pass the entrance audition in piano to the Berlin Hochschule fur Musik. There, as well as studying piano, he studied score-reading and music theory with Walther Gmeindl, and conducting with Julius Prüwer from 1932. Also encouraged by Artur Schnabel, signs of his future direction in music began to emerge composing and conducting. In 1933, Koetsier took up a position as a repetiteur at the Stadttheater in Lubeck. But after just one concert season, he returned to Berlin and began working as a conductor touring with theatre ensembles such as the Deutsche Musikbuhne and the Deutsche Landesbuhne; his repertoire expanded to include music theatre works. From 1936/37 he had the opportunity of working as a freelance conductor for the short-wave broadcasting station in Berlin, directing broadcasts of his own folk music arrangements, including arrangements of South American and African songs. Because of the political situation, Koetsier gave up his position at the Berlin radio station in 1940 and took up an offer of working as piano accompanist to the dancer Ilse Meudtner on a year-long tour. Following on from this, he worked as conductor of the newly-founded Kammeropera in The Hague, during which he travelled to numerous Dutch towns and cities (1941/42). He then became second conductor of the Concertgebouw Orchestra in Amsterdam (1942-48), a central point in his artistic development, which brought with it valuable stimuli and experience, including collaborating with the orchestra's chief conductor, Willem Mengelberg. He then spent a short period as conductor of the Residentie Orkest and as conducting teacher at the Royal Conservatory in The Hague before being invited by Bavarian Radio to become principal conductor of it's newly-founded Symphony Orchestra in 1950. Koetsier held this position for sixteen years, working intensively on studio productions of all periods and styles which were required for daily broadcasting. He also conducted public concerts, including some in the Bavarian Radio Musica Viva series. In 1966 he became professor of conducting at the Hochschule fur Musik in Munich, in which position he was involved in reforming the teaching schedule. After his retirement, Koetsier concentrated mainly on composing at his home in Rattenkirchen, Upper Bavaria. In these years, he founded the International Jan Koetsier Competition for the encouragement of young brass ensembles.

Tracks:
1.1 Jan Koetsier: Sonatina, Op.59, No.1 for Horn and Piano (1972) I. Allegro Moderato
1.2 Jan Koetsier: Sonatina, Op.59, No.1 for Horn and Piano (1972) II. Andantino Grazioso
1.3 Jan Koetsier: Sonatina, Op.59, No.1 for Horn and Piano (1972) III. Presto
1.4 Jan Koetsier: Romanza, Op.59, No.2 for Horn and Piano (1972)
1.5 Jan Koetsier: Variations, Op.59, No.3 for Horn and Piano (1986)
1.6 Jan Koetsier: Scherzo Brillante, Op.96 for Horn and Piano (1983)
1.7 Jan Koetsier: 13 Études Caractéristiques, Op.117 (1989) - Rythme Comme Le Sacre Du Printemps
1.8 Jan Koetsier: Chorale Fantasy, Op.89 for Horn and Organ (1981)
1.9 Jan Koetsier: Sonata, Op.94 for Horn and Harp (1983) I. Allegro
1.10 Jan Koetsier: Sonata, Op.94 for Horn and Harp (1983) II. Larghetto
1.11 Jan Koetsier: Sonata, Op.94 for Horn and Harp (1983) III. Allegro Vivace

Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
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Kathryn D. Denton
Belleville, US
★★★★★ 5
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Format: Paperback
One of my favorite purchases. The book arrived on time and in excellent condition. The book is a must have for serious scholars of this time period. I am most pleased to have found such an excellent addition to my library.
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Reviewed in the United States on May 18, 2013
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Charles R. Wichman
Omaha, US
★★★★★ 5
Well written
Format: Paperback
Absorbing farce
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Reviewed in the United States on July 10, 2020
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Courtney Salmon
San Leandro, US
★★★★★ 4
parodies of a classic
Format: Paperback
In Shamela, Fielding gives us the behind-the-scenes true Hollywood version of Pamela's story (and it's tabloid worthy). In Joseph Andrews, Fielding shares the tale of Pamela's brother caught in the same sort of madcap antics she endured.
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Reviewed in the United States on July 30, 2021
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B. Ying
Birmingham, US
★★★★★ 5
An Excellent Film
The success of this film is derived from Paul Schrader’s concept for the film and his hiring of his production designer, Eiko Ishioka, a Japanese female artist. The four chapters are presented in a simple setting with ingenious design while telling Mishima’s personal history and development into a Nobel price winning author and martyr for his political beliefs. This blu ray is a new restored 4K digital transfer of the director’s cut. As usual Criterion Collection also included a wealth of commentaries, interviews, a 1985 documentary about Mishima and a booklet. A very best blu ray package if you are interested in the person and subject matters.
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Reviewed in the United States on March 23, 2024
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Steve Schudin
Massapequa, US
★★★★★ 5
Astonishing Movie
This is exactly the kind of movie that would never receive funding today and get within hailing distance of production. This movie was my 'gateway drug' into the dark and fascinating world of Yukio Mishima which is one of those things where, as the saying goes, "If you know, you know." This film is basically a collection of several short films woven together. One is the story of Mishima himself, from childhood up to the morning of his last day. The other shorts are taken from four of his novels, including my personal favorite, 'Runaway Horses'. For the biographical portions of the film, which are mostly in black-and-white, Roy Scheider's narration is excellent as well. All in all, this movie is a beautiful introduction to Yukio Mishima as well as an artistic triumph for Paul Schrader.
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Reviewed in the United States on January 17, 2023

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